On Harry & Meghan.

If you’re living on this side of Earth, you’ve heard that Harry and Meghan have decided harrymegsto significantly change their status with the royal family. (I won’t link to any articles because, whew chile, the bias.) In other words, H&M want to step back from being senior members of the royal family, become financially independent, and split their time between the UK and North America. I’m here for it. Let them live. Let them also live in a place where they’re not targeted viciously. I support it. The vitriol and abject racism I’ve seen for Meghan in the British media is indescribable. We talked about leveling up, didn’t we? Well, they did and I think it’s a fabulous decision. I won’t even discuss all the fallout and how Piers Morgan is just…no words. Team H&M. (I definitely hope Meghan resurrects her blog, The Tig. Wonderful writing. Wonderful voice.)

In that vein, I wanted to share a ‘lil short story I wrote inspired by the royals and my admiration for the Ginger Prince and his lovely wife. In case you’re wondering, 2020 hasn’t necessarily resurrected my creative writing. But I have hope. Read on, enjoy, and onwards & upwards. For everyone.

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The Queen and the Green

The queen had spinach in her teeth. The offending green vegetable was right there, lodged between her two front teeth for all the world to see. And the world would see it, because after this morning tea, the queen would announce to the free world that her eldest grandson, the prince, was engaged to his troublesome fiancée.

For the record, she, Margie King, was the troublesome fiancée. She was the American commoner, the former executive assistant to the prince’s solicitor, the woman who wore a dress that didn’t even reach her knees when he had first brought her to meet his grandmother. (Never mind that the dress, hastily purchased when he had made her aware of his plans, had shrunk in the wash and was short because of that and not because of some wicked attempt to shock the ruler of 14 countries.) She was also the woman who wanted to alert her soon-to-be grandmother-in-law that there was spinach in her teeth.

It baffled Margie that no one was saying anything. The woman was presiding over a grand, long table, flanked on both sides by various family members and relatives, and no one had the guts or decency to tell her about the spinach. Yes, Margie was aware of the rule that that no one could approach the queen without being summoned or being spoken to first. Clearly, propriety trumped sparing her from humiliation. Even the queen’s husband, the perpetually bored prince who seemed half asleep most of the time, openly observed his wife’s mouth as she spoke, his eyes widening with each word and subsequent presenting of the food in her teeth. Margie was pretty sure that the man wanted to laugh. Unsurprisingly, he, too, said nothing.

Where were her ladies-in-waiting? Did they even call them that anymore? Margie had done about a month’s worth of royalty-related research to prepare for this event, but wasn’t sure if she had read anywhere that ladies-in-waiting still retained that title.

She wanted to tell Frederick about it, to lean over and whisper in his ear that someone needed to help his grandmother. But Frederick was seated about twenty cousins down from her. Someone had muttered “royal protocol” as a reason why they weren’t seated together, but Margie didn’t buy it. She knew it was the queen’s way of prolonging what it would kill her to soon announce—even if that meant temporarily separating her grandson from his fiancée during tea.

She would never forget the queen’s face six months ago, when Frederick declared his intent to marry her. Rage. Confusion. Fear. Nausea. A bit of sadness. Her features twisted up like the worst scene in a horror movie, right before the end comes. Margie had stood off to the side, breathlessly observing a stately sovereign turn into a creature of volleying emotions. Well, the twisted features aside, there were no actual outward emotions being displayed. She had the stiff upper lip reputation to maintain, after all, even if the audience was just four people: Margie, Frederick, the queen herself, and her half-asleep husband.

For a moment, Margie forgot about the spinach and thought about him. Her regard moved from the queen and rested on Frederick (although she could barely see him), her Frederick, the man she didn’t know she had been dreaming of until they met.

It had been raining buckets that evening. Her boss, Mr. Knox, had requested that she stay late to assist with greeting a client that would be arriving after closing time. Margie knew that Knox had high-profile, top-secret clients, some unknown to even her (such as this one) but the image of trudging through the rain and the dark to get to the Tube instantly became that top-secret client’s fault. She intended on being as nonchalantly rude to he or she as possible.  

He had arrived precisely at half past six, calmly entering the lobby as if there weren’t oceans of rainfall and high winds behind him. No one was with him; you’d think the heir to a throne would be trailed by a sea of security detail. That being said, yes, she had immediately recognized him. Who wouldn’t? Everyone knew Prince Freddie, The Prince of All Princes, a title coined by the media. His handsome good looks (in real life, Margie quickly decided that “handsome” as a description was grossly insufficient) and famous girlfriends were well-known and well-reported. Standing up from her desk, she had greeted him—stopping herself from bowing—and led him toward Knox’s office straightaway, as her boss had instructed. “You move quite fast,” he had said from behind her. Margie gulped and turned around, glancing at him. He was smiling, his dark hazel eyes dancing at her. Instead of explaining that rapidly walking was her way of avoiding a royalty-related collapse, she had merely smiled at him in return and said nothing in reply. She doubted that her voice box would work properly anyway.

Much, much later, Margie watched Knox and Frederick speak to one another in hushed tones in the lobby. Their appointment had officially ended but the conversation continued. Margie then wondered if there was some sort of prenuptial agreement in the works; the prevailing rumor was that Frederick was close to proposing to his latest girlfriend, a French actress. Was that why he was there? Did royals even have prenuptial agreements? she then wondered. However, the presence of Mr. Knox now standing by her desk sharply interrupted that line of thought. She stood up. “Yes, Mr. Knox?”

“Our client would feel most welcome if you would allow his driver to take you home,” Knox replied.

Blinking rapidly, she glanced at Frederick, who again smiled warmly at her. “It’s rather awful outside and you’re here late because of me,” he explained. “Ridgely will take you wherever you’d like to go.”

“But…how…?” Her voice trailed off. At the moment, she wasn’t sure how to form a complete sentence.

“Simply say thank you, Ms. King,” Knox instructed under his breath.

Nodding, Margie turned off her computer and grabbed her handbag. After a year with Knox, she had learned to simply move quickly in spite of whatever questions she had about something. She approached Frederick and thanked him for his kindness.

“You’re quite welcome,” he had responded, holding her stare long enough to communicate that perhaps this wouldn’t be their last meeting.

It wouldn’t be. 

“Ms. King,” said Ridgely the driver as he pulled up to her flat in Clapham that rainy evening, “His Royal Highness would like to contact you for dinner later this week if you would like to leave your contact card inside that box next to you.”

His Royal Highness? Dinner? Her contact card?

“Did you leave your card?” her flat-mate, Dory, shrieked after Margie had dazedly informed her of the evening’s events. “Did you, Margie?”

In that moment, Margie’s her mobile phone vibrated in her palm. With wide eyes, she presented the text message on the display to Dory: I hope I’m not being too forward, but you’re the most beautiful woman I’ve ever met. 

Many quiet dinners later, he confided in her that the French actress he was dating was a longtime friend from university that had agreed to attend all public events with him. He had long tired of questions about just when he would marry. “It’s exhausting, really, but I’m well aware that it’s the price we pay for this life. I’m hardly complaining,” he had remarked that evening. “They’ll simply have to wait until you say yes to me.”

Margie had nearly choked on her wine.

She gaped at him, waiting for him to continue. He gazed at her meaningfully and reached for her hand. It wasn’t the most romantic venue—Bernie’s Fish and Chips was a few miles from her flat and was the only place they could eat without being mobbed, being that most of the clientele were slightly inebriated, blue-collar blokes who thankfully had no idea who anyone was, much less the future king of their country—but Margie clutched his hand and recognized the moment for what it was.

“Are you asking?” she whispered.

“I’m imploring. Please marry me, Marjorie Lorraine King. I’m quite sure I can’t take it anymore, when you’re not next to me, and I’m also in love with you, so it just won’t do.”

She had laughed as tears cascaded down her face. “You have a way with words, Prince Freddie. You really do.”

He grinned at her. “So? Marry me?”

Margie said yes. Rather, she repeated it.

“It won’t be easy,” Frederick then said. “We’ll have a few mountains to climb: the prying eyes, the press, the questions.”

“The fact that I’m black and you’re white.”

Frederick nodded. “We live in a maddening world, don’t we?”

“Absolutely. But I’m ready for anything, Frederick.” She leaned into his tightened embrace and breathed him in.

“Believe it or not, darling,” he said, “the biggest issue, above all, will be my grandmother.”

Now they sat twenty cousins away from each other, his grandmother baring a portion of spinach in her teeth and everyone remaining silent on the matter. Some of them would likely laugh and wonder why Margie cared so much. Wasn’t the queen the same woman who muttered that she was troublesome when she arrived at the palace with the now discarded above-knee dress? The same woman who regularly leveled Margie with the kind of vicious stare meant for enemies of the kingdom? And yet she was also the same woman who  invited 10 year-old girls from low income areas to tea at the palace two Saturdays a month, something the media didn’t know about. The same woman who sometimes put her head on her half-asleep husband’s shoulder when they were walking around their country home (he was pleasantly surprised each and every time). It was just spinach, but it might as well have been a “Kick Me” sign on her back. Margie had learned about the court of public opinion since her courtship with Frederick had begun. It was the one place the queen had no power over, and no one deserved to be fodder.

The queen then abruptly stood, signaling everyone on both sides of the long table to do the same. It was time to hold the press conference in the Tudor Room. As she smoothed her dress down–brocade, tea-length, and gifted to her by her kind, soon-to-be aunt-in-law–Frederick quickly appeared by her side. “You look beautiful,” he whispered in her ear.

“Thank you. Your grandmother has spinach in her teeth.”

Frederick chuckled. “She knows. She does it on purpose to see who will have the courage to approach her unsummoned and inform her. I’ll be sure to let her know that you said something.”

Stunned, Margie then looked up and found the queen studying her, the latter’s demeanor not quite as stone-faced as it typically was when she placed her attention on her troublesome almost granddaughter-in-law. Her expression seemed…softer? The woman couldn’t hear that far, could she? Did she know that Margie had mentioned the spinach?

“Come, Frederick, Margie. We will be late,” the queen called over to them.

Margie couldn’t even recall when the queen had mentioned her name.

“Onwards,” Frederick said softly, lacing his fingers through hers.

And upwards and everything in between, Margie thought, as she watched the queen begin the processional as the first in line.  

[Not] Writing.

close up of hand holding pencil over white background
Photo by Lum3n.com on Pexels.com

I haven’t written anything creatively in a long while. Fiction is my thing, my jam. You know that. But it’s been excessively hard for me to hunker and write. I have some suspicions as to why. Let’s talk them over.

  1. No inspo. Like most artists, inspiration is so huge for me. I need that flow, that impetus, that spark that leads to me wanting to sit down and work on something. I haven’t had that in a while. For the record, I personally gain inspiration from the people around me, from visual art, from music, and really anything that germinates into the desire to storytell. And although those things are still around me, nothing is really germinating.
  2. No patience. Lest you believe I’ve abandoned my passion altogether, however, there have been times when I’ve worked on stories…and then I’ve quickly let them go. I don’t know. Something comes over me. I’m moved to action and then the flame quickly goes out. If I understood why that happens, dear reader, perhaps it wouldn’t happen so much.
  3. No… You know how difficult this year has been for me. Maybe this is the fallout. Wanting to find catharsis through writing but not being in a place where I’m ready to go there. I think this particular reason is a strong possibility.

My intention is to find a quiet place somewhere and just allow the muse to do what she does. Maybe a trip to a museum. Or a few days out of town, alone, armed with a notebook and a pen. Something. Because at the end of the day, I miss writing creatively. I miss the excitement that comes from creating. Gotta get back.

Lessons.

affection board broken broken hearted
Photo by Pixabay on Pexels.com

This post is inspired by a very moving and honest post on In My Sunday Best, where blogger Sade openly discusses her experience with relationship rejection. Read it and reflect; I appreciated her candor and discussing the inspiring lessons she learned about herself. As I read it, it reminded me so much of my own journey. A journey fraught with rejection.

Before I go on, I want to thank my tried-and-true readers for hanging with me in this little corner of the webverse. I’ve always considered This Square Peg to be an online journal. And in a journal, you talk about the highs (loving my natural hair, my writing, my adventures) and the lows (managing my depression, emotions, and the various disappointments of life). Thanks for supporting your Square Peg through it all, with your comments, your follows, your reading.

My first foray into admitting my feelings for someone and the rejection that came after happened in the 8th grade. At the time, I didn’t necessarily feel rejected; although my declaration of “love” was by no means mutual, I still felt that the object of my affection and I became somewhat friends after all of that. Nevertheless, it started the ball rolling. The combination of movie fantasy, being a romantic (more on that later) and an intense desire to be loved/be in a relationship were usually the catalysts. Despite being a shy girl, something came over me during those moments–being bold and expressing how I felt meant more than anything. Throughout my 20s, it happened time and time again. Meeting a guy, finding myself attracted to him, eventually opening up and telling him how I felt. I continued on despite the pain of rejection; somehow, there was a degree of hope that one day, the person I was meant to be with would cross my path. But hope isn’t steel. Eventually, it all started to affect me: what was so wrong with me? Why didn’t they want me in return?

After this happened, I was officially done. I told myself that even if I was attracted to someone, the weariness on my heart and the embarrassment of putting myself out there with no mutual return were simply things I no longer wanted to risk. I was also suffering from what Sade eloquently described as “rejection as reflection.” Their rejection of me had translated into seeing myself with incredibly negative eyes. Unworthy. Unpretty. The rest. By the time my 30s came along, although I became committed to now loving myself and repudiating that negative self-view, there was no way I was ever going to put myself out there again when it came to relationships and matters of the heart.

These days, I continue to remain stalwart in not approaching a guy with my feelings; I’m fine with the menfolk doing some work. However, I also don’t believe in coyness or not being open if I share his feelings or his interest. I don’t believe in stringing people along. But that man hasn’t shown up.

Yet.

Let’s talk about that word, yet.    

A friend recently described me as a romantic. Deep down, I balked at the description. Something about that word completely turned me off; I imagined treacly women who were hopelessly waiting on fairy tales and other unrealistic, rose-colored wants for a relationship. Sure, I believe in love and in falling in love, but I’m also not naive to the uneasy parts of relationships. I lived in a household when things got all too real, at times. Never doubting that my parents loved each other, I was equally exposed to times when things weren’t so pretty and escape, by all parties, seemed ideal. So being described as a romantic wasn’t my favorite thing. But it’s me, folks. I had to analyze why it put me off so much. See the previous sentences. I associated a romantic nature with a weak nature. Weak and unrealistic and living in a total fantasy world. But that’s unfair. A romantic person who believes in love and wants it for herself can also be a realistic person who has her feet squarely planted on the ground. So yeah, I’m a romantic realist. It is what it is. Thanks to that friend who got me thinking and ruminating.

So, to wrap rejection and the yet in a pretty bow: not allowing my history with rejection to douse me with negativity, cynicism, and a belief that love will never come is something I’m trying to balance. I don’t want to give in to mentally throwing away the idea of love because it hasn’t appeared, or base my feelings on things not working out in my past. Like Sade reasoned, none of those guys were meant for me. Looking back, I can make that statement with absolute certainty.

Share any thoughts you have in the comments.

 

 

Your Elephant, After All.

Dearest reader, last Friday, I published my third book. I seem to favor anthologies and this publication is no different: Your Elephant, After All is my third collection, and this time, it’s poetry. I am exceedingly proud of this book, especially because it was born during a difficult time.

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As you know, life hasn’t been the easiest for me lately. There have been more downs than ups, but thankfully and prayerfully, I continue to push ahead. Two weeks ago, I was wide awake in the early hours of the day (the requisite 3AM), my mind racing, and decided to find something to read. Somehow, I ended up on the Notes app on my phone and somehow, I ended up reading some of my own poetry. Of course, I had nursed plans for a third book of poetry months and months ago, having created the draft and formatting of the pieces in both written and electronic form. But, owing to my creative ADD, my attention soon went elsewhere.  Enter two weeks ago, 3AM, and a resurrected desire to come back to my temporarily abandoned project.
From then on, I started working on the book almost every evening. The title changed. I edited some, if not all, of the poems. draftThe original idea of 22 poems turned into about 38 pieces. I decided that this would be my first book with photographs. Needless to say, if you’re passionate about anything, the process can be enthralling. As an artist, the creating part is nothing short of breathtaking. And honestly, it helped to take my mind off, well, my mind. Even if that meant just a few hours a day of purposeful activity, the refocused energy was welcomed. After a pretty rapid cycle of work, I was finished last mid-week. By Friday, the book was live on Amazon. Some other details about YEAA:
  1. The title came from one of my favorite poems I’ve ever written and it fit perfectly for the theme of the book. To me, elephants (my longtime favorite animal) represent majesty, melancholy, supremacy, sadness. Basically the two-sided coin of life. And these poems run the gamut of all of those things and more.
  2. This was my first time publishing with Amazon’s Kindle Direct Publishing (KDP). Before KDP, I used CreateSpace, also owned by Amazon; the two have now combined together. It was a fairly easy process. From cover creation (I used my own artwork, but KDP offers plenty of cover choices to pick from) to establishing the price of the book, the process was smooth. General frustrations came from ensuring that pagination and margins and all that were right, but that’s part of creating something visually appealing, so in the end, it was fine.
  3. YEAA is available in paperback only. Note that my first two books were made available in both hard copy and digital, and I’m aware of what’s more popular and convenient. Nevertheless, I really wanted to explore removing the digital book feature as an option and sticking with hard copy only. Being a reader myself that 99% of the time goes with digital, I also still love physical books. Their feel, their gloss, their look. So I went against my own comfort level and decided to try something different with this collection.

I’m really proud of this newest creation. Not only am I expanding my profile as an author, I was inspired to continue to focus on my work and plan for my next offering. It was also refreshing to just be knee deep in words and formatting and pagination and creating–and away from days of being mired in my own endless thoughts. So here’s to insomnia, I think, which started it all.

Lastly, to you, dear reader and supporter of this tiny corner in the blogverse: thank you. Whether or not you buy my book, you’re always here. I’ll take that.

altogether different and wondrous.

That’s how I describe the air in a museum. It’s just a wholly amazing atmosphere and I’m always here for it. Yesterday, my girls and I headed downtown into Dallas and I finally, finally visited the Dallas Museum of Art. I’ve lived here for two years and have been aiming to go ever since I arrived in this town, and life happened, but I’m happy to say that it all came to pass. It was exhilarating. Yes, I’m one of those people that stands in front of artwork and wildly gesticulates as she describes brush strokes and archetypes and symbols and rococo and so on and so forth.  A slideshow of my pics from the artistic afternoon await you below (look for the Ghanaian artifacts, as well).

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Bon Monday. Do you love museums and galleries and art, oh my? Let me know in the comments below…

Because Solange.

Okay, dear Reader, you know I cut my hair.

Well, I cut it again. And again.

After the first cut, I went back to my stylist and asked for another cut, to even things out, and to color it, as well, since the gray hairs were like all these changes are making us nervous so we ’bout to legit multiply. Here’s how it looked after the second cut:

I went with a wine-y, berry color, which may not be evident in these pics but will be soon. Having been red and brown red and burgundy and jet black, I wanted something in the reddish family, but a bit different than the hues I’ve tried before. Fun story: when my stylist washed out the color, it only lifted on my sides and back of my hair. purpleThe middle remained completely unaltered by the color. So…she added a bright purple color all over, hoping that it would aid the lift…and it did. But that bright purple…whew.

So I was happy with the changes.

Or was I?

This past week, I headed home to VA to spend some much-needed time with the Mama and my family. (It was awesome.) While there, I contemplated cutting my hair again. Deep down, although I liked my look, I wasn’t 100% content. Why? What was I looking for?

Her.

Stylistically, wedding-y, everything-y, Solange has long been a marvel for my eyes. And I certainly remember my gaspy (new word, just created by me, you’re welcome) reaction to her gorgeous big chop in 2009. It was everything. Do you hear me? Every. Ting. I think she was hiding in my subconscious this whole time, patiently waiting for me to bring her back up and acknowledge that this was the hair destination I was headed to. Because even the other photos I had for inspo were cuts that looked exactly like Solange’s.

cutinspo
Solange inspo.

Interesting, right? Anyway, the previous cut was fine, but there was a fro-hawk-y nature about that middle part of my head, and as much as I love frohawks, I’ve had that look before. I wanted something different. I wanted Solange. I wanted simple, chic, lovely, even–all of what you see above. So, when I had some time while home, I drove to the local Hair Cuttery and asked for my third cut.

With the color and this new look, dear Reader, I believe we have reached Destination: Solange. Or, more importantly, I can 1005 percent say I love my new look. Check it out.

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A few more things:

  1. I need a barber. My stylist is awesome and started this style change rolling, but to maintain this look, I’ll definitely need a professional barber. The search begins.
  2. I love this look.
  3. That’s all.

Have you had this experience? Loved a look but deep down, wanted something more? Shall we meet in the comments below?

it chose me.

It was inevitable that fiction would choose me, that my world would become consumed by it. From the fairy tales my mother brought before me, to the fascinating living stories around me, to the nursery rhymes that incited such vivid images in my mind, to the billowing curtain in my childhood bedroom that, to me, offered pretty terrifying possibilities on the other side, my imagination was its own character from the very beginning. When I would hide in the library during recess (we’ll talk about that in another post; praise kind librarians), I would read. And read. And read. All fiction, all topics, all possibilities. A fiction writer was being born. By the age of eight, that writer came alive.

After messing with my dear father a bit about majoring in psychology while filling out my college application (“I want to be a shrink, Daddy.” “No; choose something else.”), I chose English as my major. It was always going to be English; I knew that when I was sixteen years old. Soon thereafter, I chose the concentration for my major: Fiction. For four years, I was ensconced in literature, stories, novels. It was like being in the stacks all over again.

I write poetry, these lovely blog posts, articles, the occasional play, a few songs…

But first and foremost, utterly and completely: I will always be a fiction writer.

fictionquote

What do you love to do that chose you? I’m curious to know…