I haven’t written anything creatively in a long while. Fiction is my thing, my jam. You know that. But it’s been excessively hard for me to hunker and write. I have some suspicions as to why. Let’s talk them over.
No inspo. Like most artists, inspiration is so huge for me. I need that flow, that impetus, that spark that leads to me wanting to sit down and work on something. I haven’t had that in a while. For the record, I personally gain inspiration from the people around me, from visual art, from music, and really anything that germinates into the desire to storytell. And although those things are still around me, nothing is really germinating.
No patience. Lest you believe I’ve abandoned my passion altogether, however, there have been times when I’ve worked on stories…and then I’ve quickly let them go. I don’t know. Something comes over me. I’m moved to action and then the flame quickly goes out. If I understood why that happens, dear reader, perhaps it wouldn’t happen so much.
No… You know how difficult this year has been for me. Maybe this is the fallout. Wanting to find catharsis through writing but not being in a place where I’m ready to go there. I think this particular reason is a strong possibility.
My intention is to find a quiet place somewhere and just allow the muse to do what she does. Maybe a trip to a museum. Or a few days out of town, alone, armed with a notebook and a pen. Something. Because at the end of the day, I miss writing creatively. I miss the excitement that comes from creating. Gotta get back.
This post is inspired by a very moving and honest post on In My Sunday Best, where blogger Sade openly discusses her experience with relationship rejection. Read it and reflect; I appreciated her candor and discussing the inspiring lessons she learned about herself. As I read it, it reminded me so much of my own journey. A journey fraught with rejection.
Before I go on, I want to thank my tried-and-true readers for hanging with me in this little corner of the webverse. I’ve always considered This Square Peg to be an online journal. And in a journal, you talk about the highs (loving my natural hair, my writing, my adventures) and the lows (managing my depression, emotions, and the various disappointments of life). Thanks for supporting your Square Peg through it all, with your comments, your follows, your reading.
My first foray into admitting my feelings for someone and the rejection that came after happened in the 8th grade. At the time, I didn’t necessarily feel rejected; although my declaration of “love” was by no means mutual, I still felt that the object of my affection and I became somewhat friends after all of that. Nevertheless, it started the ball rolling. The combination of movie fantasy, being a romantic (more on that later) and an intense desire to be loved/be in a relationship were usually the catalysts. Despite being a shy girl, something came over me during those moments–being bold and expressing how I felt meant more than anything. Throughout my 20s, it happened time and time again. Meeting a guy, finding myself attracted to him, eventually opening up and telling him how I felt. I continued on despite the pain of rejection; somehow, there was a degree of hope that one day, the person I was meant to be with would cross my path. But hope isn’t steel. Eventually, it all started to affect me: what was so wrong with me? Why didn’t they want me in return?
After this happened, I was officially done. I told myself that even if I was attracted to someone, the weariness on my heart and the embarrassment of putting myself out there with no mutual return were simply things I no longer wanted to risk. I was also suffering from what Sade eloquently described as “rejection as reflection.” Their rejection of me had translated into seeing myself with incredibly negative eyes. Unworthy. Unpretty. The rest. By the time my 30s came along, although I became committed to now loving myself and repudiating that negative self-view, there was no way I was ever going to put myself out there again when it came to relationships and matters of the heart.
These days, I continue to remain stalwart in not approaching a guy with my feelings; I’m fine with the menfolk doing some work. However, I also don’t believe in coyness or not being open if I share his feelings or his interest. I don’t believe in stringing people along. But that man hasn’t shown up.
Let’s talk about that word, yet.
A friend recently described me as a romantic. Deep down, I balked at the description. Something about that word completely turned me off; I imagined treacly women who were hopelessly waiting on fairy tales and other unrealistic, rose-colored wants for a relationship. Sure, I believe in love and in falling in love, but I’m also not naive to the uneasy parts of relationships. I lived in a household when things got all too real, at times. Never doubting that my parents loved each other, I was equally exposed to times when things weren’t so pretty and escape, by all parties, seemed ideal. So being described as a romantic wasn’t my favorite thing. But it’s me, folks. I had to analyze why it put me off so much. See the previous sentences. I associated a romantic nature with a weak nature. Weak and unrealistic and living in a total fantasy world. But that’s unfair. A romantic person who believes in love and wants it for herself can also be a realistic person who has her feet squarely planted on the ground. So yeah, I’m a romantic realist. It is what it is. Thanks to that friend who got me thinking and ruminating.
So, to wrap rejection and the yet in a pretty bow: not allowing my history with rejection to douse me with negativity, cynicism, and a belief that love will never come is something I’m trying to balance. I don’t want to give in to mentally throwing away the idea of love because it hasn’t appeared, or base my feelings on things not working out in my past. Like Sade reasoned, none of those guys were meant for me. Looking back, I can make that statement with absolute certainty.
Dearest reader, last Friday, I published my third book. I seem to favor anthologies and this publication is no different: Your Elephant, After Allis my third collection, and this time, it’s poetry. I am exceedingly proud of this book, especially because it was born during a difficult time.
As you know, life hasn’t been the easiest for me lately. There have been more downs than ups, but thankfully and prayerfully, I continue to push ahead. Two weeks ago, I was wide awake in the early hours of the day (the requisite 3AM), my mind racing, and decided to find something to read. Somehow, I ended up on the Notes app on my phone and somehow, I ended up reading some of my own poetry. Of course, I had nursed plans for a third book of poetry months and months ago, having created the draft and formatting of the pieces in both written and electronic form. But, owing to my creative ADD, my attention soon went elsewhere. Enter two weeks ago, 3AM, and a resurrected desire to come back to my temporarily abandoned project.
From then on, I started working on the book almost every evening. The title changed. I edited some, if not all, of the poems. The original idea of 22 poems turned into about 38 pieces. I decided that this would be my first book with photographs. Needless to say, if you’re passionate about anything, the process can be enthralling. As an artist, the creating part is nothing short of breathtaking. And honestly, it helped to take my mind off, well, my mind. Even if that meant just a few hours a day of purposeful activity, the refocused energy was welcomed. After a pretty rapid cycle of work, I was finished last mid-week. By Friday, the book was live on Amazon. Some other details about YEAA:
The title came from one of my favorite poems I’ve ever written and it fit perfectly for the theme of the book. To me, elephants (my longtime favorite animal) represent majesty, melancholy, supremacy, sadness. Basically the two-sided coin of life. And these poems run the gamut of all of those things and more.
This was my first time publishing with Amazon’s Kindle Direct Publishing (KDP). Before KDP, I used CreateSpace, also owned by Amazon; the two have now combined together. It was a fairly easy process. From cover creation (I used my own artwork, but KDP offers plenty of cover choices to pick from) to establishing the price of the book, the process was smooth. General frustrations came from ensuring that pagination and margins and all that were right, but that’s part of creating something visually appealing, so in the end, it was fine.
YEAA is available in paperback only. Note that my first two books were made available in both hard copy and digital, and I’m aware of what’s more popular and convenient. Nevertheless, I really wanted to explore removing the digital book feature as an option and sticking with hard copy only. Being a reader myself that 99% of the time goes with digital, I also still love physical books. Their feel, their gloss, their look. So I went against my own comfort level and decided to try something different with this collection.
I’m really proud of this newest creation. Not only am I expanding my profile as an author, I was inspired to continue to focus on my work and plan for my next offering. It was also refreshing to just be knee deep in words and formatting and pagination and creating–and away from days of being mired in my own endless thoughts. So here’s to insomnia, I think, which started it all.
Lastly, to you, dear reader and supporter of this tiny corner in the blogverse: thank you. Whether or not you buy my book, you’re always here. I’ll take that.
That’s how I describe the air in a museum. It’s just a wholly amazing atmosphere and I’m always here for it. Yesterday, my girls and I headed downtown into Dallas and I finally, finally visited the Dallas Museum of Art. I’ve lived here for two years and have been aiming to go ever since I arrived in this town, and life happened, but I’m happy to say that it all came to pass. It was exhilarating. Yes, I’m one of those people that stands in front of artwork and wildly gesticulates as she describes brush strokes and archetypes and symbols and rococo and so on and so forth. A slideshow of my pics from the artistic afternoon await you below (look for the Ghanaian artifacts, as well).
Bon Monday. Do you love museums and galleries and art, oh my? Let me know in the comments below…
Oh, Pinterest. An abundance of lovely goals that likely will never see the light of day. Nevertheless, this year, I’d like to spruce up my place with an autumn theme. Because why not? Some of the ideas running around in my head:
After the first cut, I went back to my stylist and asked for another cut, to even things out, and to color it, as well, since the gray hairs were like all these changes are making us nervous so we ’bout to legit multiply. Here’s how it looked after the second cut:
I went with a wine-y, berry color, which may not be evident in these pics but will be soon. Having been red and brown red and burgundy and jet black, I wanted something in the reddish family, but a bit different than the hues I’ve tried before. Fun story: when my stylist washed out the color, it only lifted on my sides and back of my hair. The middle remained completely unaltered by the color. So…she added a bright purple color all over, hoping that it would aid the lift…and it did. But that bright purple…whew.
So I was happy with the changes.
Or was I?
This past week, I headed home to VA to spend some much-needed time with the Mama and my family. (It was awesome.) While there, I contemplated cutting my hair again. Deep down, although I liked my look, I wasn’t 100% content. Why? What was I looking for?
Stylistically, wedding-y, everything-y, Solange has long been a marvel for my eyes. And I certainly remember my gaspy (new word, just created by me, you’re welcome) reaction to her gorgeous big chop in 2009. It was everything. Do you hear me? Every. Ting. I think she was hiding in my subconscious this whole time, patiently waiting for me to bring her back up and acknowledge that this was the hair destination I was headed to. Because even the other photos I had for inspo were cuts that looked exactly like Solange’s.
Interesting, right? Anyway, the previous cut was fine, but there was a fro-hawk-y nature about that middle part of my head, and as much as I love frohawks, I’ve had that look before. I wanted something different. I wanted Solange. I wanted simple, chic, lovely, even–all of what you see above. So, when I had some time while home, I drove to the local Hair Cuttery and asked for my third cut.
With the color and this new look, dear Reader, I believe we have reached Destination: Solange. Or, more importantly, I can 1005 percent say I love my new look. Check it out.
A few more things:
I need a barber. My stylist is awesome and started this style change rolling, but to maintain this look, I’ll definitely need a professional barber. The search begins.
I love this look.
Have you had this experience? Loved a look but deep down, wanted something more? Shall we meet in the comments below?
It was inevitable that fiction would choose me, that my world would become consumed by it. From the fairy tales my mother brought before me, to the fascinating living stories around me, to the nursery rhymes that incited such vivid images in my mind, to the billowing curtain in my childhood bedroom that, to me, offered pretty terrifying possibilities on the other side, my imagination was its own character from the very beginning. When I would hide in the library during recess (we’ll talk about that in another post; praise kind librarians), I would read. And read. And read. All fiction, all topics, all possibilities. A fiction writer was being born. By the age of eight, that writer came alive.
After messing with my dear father a bit about majoring in psychology while filling out my college application (“I want to be a shrink, Daddy.” “No; choose something else.”), I chose English as my major. It was always going to be English; I knew that when I was sixteen years old. Soon thereafter, I chose the concentration for my major: Fiction. For four years, I was ensconced in literature, stories, novels. It was like being in the stacks all over again.
I write poetry, these lovely blog posts, articles, the occasional play, a few songs…
But first and foremost, utterly and completely: I will always be a fiction writer.
What do you love to do that chose you? I’m curious to know…
Danai and Lupita. Okoye and Nakia. Africa and Africa. New Muse and Still Muse.
World Class Chocolate and World Class Chocolate.
When I was a little growing brown girl, I saw women of color in my home, in my community, among my relatives. But I didn’t realize that representation outside of that nexus was important until I was much older. A young woman is exposed to so much in the media, especially during those formative years where popular ideals of what’s “beautiful” take over and unleash their particular brand of power. I wish I had seen images like this when I was fifteen years old, y’all. I really do.
Nevertheless! I see them now. And I love it into infinity.
I also love that millions of little growing brown girls are seeing images like this, too.