When I was a senior in high school, I did something that defied all the parameters of shy girl status: I auditioned for a musical in my high school.
Yes, your Square Peg, who enjoyed life behind the shadows, who always volunteered to be the narrator (and when she wrote her own stuff made herself the narrator, thank you very much), decided very much on an adolescent whim that she would audition for the spring musical that her high school was putting on, A Funny Thing Happened on the Way to the Forum. Lots of innuendo, lots of farce. I knew nothing about the musical prior to auditioning. There was no Wikipedia back then. Anyway, I loved the title, I loved musicals, I loved theater, I loved my school’s drama teacher (who was also my beloved Film Studies teacher when I was a sophomore and introduced me to the wonder of Citizen Kane, among other things), and I was high on this adolescent whim. I knew I could sing. So why not?
How to Audition for a Musical (Or How Not to, Depending on your Perspective)
- If you’re 17 (or 35 or 59 or whatever) and a veteran of several chorus classes, it would be nice to know how to read music. Because guess what? I didn’t know how to read music. (Still don’t.) When I was handed the music for the songs I would be singing that afternoon, Comedy Tonight and Lovely, I might as well have been handed stacks of hieroglyphics. And I probably had a better chance of deciphering those than the music I was given…
- …but because I was learn music by ear, I waited until dead last night to audition for each song. This gave me time to listen carefully to the notes, the melody, the arrangement, and allowed me to actually stand on stage and sing. Not too shabby, either.
- It might be a good idea to remember that even though you’re one of dozens that are auditioning, you can’t go up on stage with those people. You actually have to stand at the front of the stage and sing. Alone. And yet, moments before cardiac arrest took over as I approached the stage…
- …I found a way to position myself by the piano and not really at the front of the stage and I focused on my drama teacher, who was awesome and encouraging and likely CPR-certified in case I did keel over from the fright and butterflies.
I got through it, you guys. And I had fun.
But remember when I said I knew nothing about the musical? Well, although I didn’t score the lead roles of Philia or Pseudolus (and this was really no surprise; other than pretending like I don’t want to strangle rude people, your Square Peg is hardly an actress), I still got a role in the musical.
The role? A courtesan.
If you check out the link to the musical, you’ll see see that the story takes place in ancient Rome, where a slave (Pseudolus) tries to win his freedom by helping his master woo a courtesan named Philia. Well, there would be a house filled with other courtesans along with Philia, and I got a role as one of them. I think her name was Vibrata.
Except, even though your Square Peg is a wordsmith, she wasn’t quite sure what a courtesan was. So, while overcome with excitement at landing her first role in a musical, she went home and went to her trusty dictionary, where she looked up the word.
Yep, I went right to my beloved drama teacher and told him that there was no way I could be in the musical. Excuses about my parents not really feeling the amount of time I would spend outside of school were given. And no, they wouldn’t have cared for that, but you know the bigger issue, don’t you? My mother would have somehow learned that I was playing a hooker. And she would have killed me dead. I mean, as sneaky as I was in getting away with staying out late or hanging out with people she didn’t really know, the heavens would have revealed it to her in a dream. No doubt. Just like she knew that her oldest daughter was making funny faces behind her back one day (without turning around), my mother would have discovered the truth. And your Square Peg would be no Square Peg at all, because, again, I would have been killed dead.
My drama teacher was very understanding. Maybe he knew the real truth, that an African girl playing a hooker–no matter how tame it would be for a high school production–would have been shipped back to the Motherland in a pine box.
I was in the audience on opening night, cheering on my friends in the show, cheering on the director, cheering on the brave girl who replaced me. And in the back of my mind, imagining the death that would have been unleashed by my mother’s hands. So along with all that cheering was massive, massive relief.
I still love the theater, of course. Musicals, plays: the stage continues to thrill and amaze me. And it’s even sweeter from the comfort of my seat. Haaaaaa.